Thread: Secrets of Prometheus Film Leaked!

Secrets of Prometheus Film Leaked!

Infowars.com
March 30, 2012

No, we’re not going to give away any SPOILERS here; instead we will reveal the agenda behind Prometheus, the new film by legendary director Ridley Scott (Alien, Blade Runner, Gladiator) hitting theaters June 8.

The secret is that the elite believe they are attaining godhood and are destined for the stars. Their ancient and occultic views are reflected in the dark themes of Prometheus, the very name of which hints at the quest for eternity and power among a group who think a divine right bestowed by a higher intelligence gives creedence to their meddling with the affairs of common man.

http://www.prometheus-movie.com/



» Secrets of Prometheus Film Leaked! Alex Jones' Infowars: There's a war on for your mind!

Prometheus – Illuminati Programming Goes Batsh*t

Saturday, March 31st, 2012



by Zen Gardner

I watched a few Prometheus trailers last week and they’re all frikking weird. And upsetting. And make me want to spit nails. As soon as I saw the title it was obvious the roll-out is getting more pathetic.

These arrogant bastards of false light think they’ve found a willing audience of mindless dweebs and are laying it on thick. Screw them.

Yes. Screw them. Seriously. Screw them with greater Truth and Love for mankind which dissolves their entire mindset. It’s bullshit on steroids and we’re witnesses.

We’re not pieces of mental meat waiting for our next handout of GMO grain, you f’ing freaks. We’re real and we’re conscious humanity and you can take your distorted mind control freakishness back to the hellish distorted dimension where you came from.



Occult Laden Ceremonies – Enough!

This may be your self-declared year of coming out with the self-aggrandized public rituals leading up to the IllumOlympics but we’re not buying it. In fact, you make us sick! Your audience is leaving the flipping theater, you shallow, insipid self and death lovers.

Screw yourselves. We’re not part of it!

Just see this display of violent fear-bent bullshit occult propaganda:





And just today, Alex Jones comes out with this amazing revelatory clip, just terrific!

“The secret is that the elite believe they are attaining godhood and are destined for the stars.

Their ancient and occultic views are reflected in the dark themes of Prometheus, the very name of which hints at the quest for eternity and power among a group who think a divine right bestowed by a higher intelligence gives credence to their meddling with the affairs of common man.”

My Point?

Damn them. Their arrogance, shallow ineptitude, and brash bullying will not work. It is written in the stars and in our hearts!!

Never, never fear them. Swat them fervently with conscious Truth, like the crap loving flies that they are!

Know who you’re up against!

Love always, Zen

www.zengardner.com

Prometheus – Illuminati Programming Goes Batsh*t « Just Wondering – Alternative News and Opinions

Prometheus Leaked: Epilogue

Prometheus Crew Spills Its Guts About Movie’s Most Shocking Scene

By Scott Pierce
June 7, 2012 5:54 pm



Prometheus, Ridley Scott’s spiritual precursor to sci-fi shocker Alien, comes a cool 33 years after Ellen Ripley first faced off against a hideous monster in deep space.

Fans of the original movie and its sequels have dozens of questions about how the Prometheus plot ties into the Alien universe. But here’s the gnarliest one: Is there anything as shocking as the original “chestburster” scene from three decades ago?

In short, yes. Wired recently caught up with Scott, Prometheus actress Noomi Rapace and writer Damon Lindelof about a horrifying scene from the R-rated movie, a nasty sequence that’s sure to get viewers squirming when the film opens Friday in the United States.

(Spoiler alert: Major revelations follow.)

The classic combo of horror and science fiction changed forever when an H.R. Giger-designed xenomorph popped out of actor John Hurt’s chest in Alien.
“For it to burst out of his chest was a gob-smacking experience,” Scott told Wired. “My thought always was that he’s going to split sinew, bone and separate his ribcage into a birth.” The director points out that moments like this — surprising turning points within a screenplay — are the ultimate engines for storylines. “Once you get moving on a screenplay like that, you don’t want to change it,” he says.

Anyone who has watched a Prometheus trailer or TV spot can hear Rapace — the original Girl With the Dragon Tattoo, now playing heroine scientist Elizabeth Shaw — scream, “Get it out of me!” In a movie constructed of Alien DNA, that sentence can only mean trouble.

In this case, she finds out she’s carrying something in her body on the moon LV-223 that leads her to the Med Pod — an automated medical device composed of an airtight operating shield with robotic surgical arms and a laser scalpel. Within moments of discovering that her body is carrying what can only be deemed as unwanted, she strips down and performs a self-induced alien-ectomy in the machine.

“In Jon Spaihts’ [Prometheus] draft, it was a chestburster,” said writer Damon Lindelof, who was brought on to spin the new movie into its own universe. “It is going to be scary, it is going to be visceral, and it is going to play into every woman’s fear of something wrong with the baby inside.”

Upon first reading about the painful procedure outlined in the script, Rapace said she had concerns about making the scene believable because it’s so terrifyingly bizarre. “I spoke to Ridley about it and said that I would love to find a way to do it as real as possible — to not do it in CGI or to not cut up the scene into small pieces,” the actress said. “We worked for four days on the scene and it messed me up completely.”

The Med Pod — which looks like a claustrophobic cross between an MRI machine and a see-through casket — yields a horrifying spectacle that will surely stick with filmgoers, just as it haunted Rapace after filming.

“I had two dreams that I remember today,” she said about the scene. “I woke up and I went into the loo, saw myself in the mirror, and I realized I had some kind of black veins that began to spread over my whole body. I started to wash my hands and thought the water was going to stop it somehow.”
“I was so terrified that I was crying, and I woke up and I was crying for real.” — Noomi Rapace

Her second dream involved her touching her belly while a creature was moving around inside. “I was so terrified that I was crying, and I woke up and I was crying for real,” the Swedish actress said.

Despite the grotesqueness of ripping a living creature from her womb with a laser, followed by the mechanical insertion of a row of gleaming staples across her bare abdomen, Rapace said she didn’t feel exploited by filming the scene. “I never felt exposed like, ‘I’m this girl, half-naked in front of the crew, screaming and crying and going through this very disturbed situation,’” she said. “It really felt like the two of us inside of it,” she said of her and Scott.

The director’s oeuvre is somewhat of a dichotomy in this way: He built his rep on movies that pair big ideas with short bursts of the gripping and the gross. Horrified viewers watched the titular cannibal in Hannibal serve Ray Liotta his own brain as the killer psychoanalyzes Agent Clarice Starling. Likewise, American Gangster had Denzel Washington putting a bullet in the head of a rival gang member in broad daylight, only to casually return to dinner with his family.

“I’m a sick ****,” Scott joked.

Marrying the two things is a particular skill the director possesses, and Prometheus is about much more than Rapace getting a grisly, graphic C-section.
“I think the scene kind of captures the whole question about creating life and what if the child and the thing that you created starts to turn against you,” Rapace said. “We have those snakes in Sweden — black-and-yellow snakes — and they give birth to their babies up in trees. The babies fall down and the babies are poisonous. They’ll bite and kill the mother if she’s close to them. I think this scene embraces the whole problematic and disturbed relationship between parents and children. It’s creating life, but with some kind of savage beauty.”

Lindelof agreed. “In the same way that the first movie is terrifying, it ultimately boils down to a Michael Myers- or Jason Voorhees-like scenario, where it’s just picking people off one at a time in chilling ways,” he said. For Prometheus, it was his mandate to expose audiences to bold ideas rather than simply serving up a series of untimely deaths. But that doesn’t mean he couldn’t include what will probably be the most important horror sequence of the year.

Prometheus Crew Spills Its Guts About Movie's Most Shocking Scene | Underwire | Wired.com

Sure, we get it, women are strong, men are weak; the myth escalates, social engineering in 6th gear. American men better wake up; you're being gamed, eviscerated, emasculated, marginalized, and excoriated in the name of 'entertainment'. Strong women are okay as long as it is not done in such a way as to dominate men. But...watch television if you need more proof, according to Hollyweird, Caucasian men are crap; Black men 'real men'.

"Prometheus" - A Lesson in Illuminati Religion

June 28, 2012



Left - The Alien lifecycle by satanist H R Giger.Why should the alien be drawn inside an Illuminati pyramid, eye of houris and all ? Also notice vagina representation on top of pyramid.

Prometheus is a movie where there are simply too many Illuminati signals to ignore, or dismiss as coincidence. It is a message of what is coming our way.
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We are living in the times of occultist Alice Bailey's Externalization of the Hierarchy, a time when the satanic plan for humankind would not be the property of a few initiates, but would be promoted openly.



by Marcos
(henrymakow.com)


Fans all over the world were anxiously waiting for the prequel of the Aliens movies, where actress Sigourney Weaver killed serpent-like aliens in what is considered some of the best horror/action movies of all time.

Unfortunately, fans were bitterly disappointed with what looked like a confusing, boring movie, full of plot holes. Was it possible that Ridley Scott, one of the best directors of our time, simply forgot how to make a good movie ?

Of course not. In reality, Scott was not concerned in entertaining people. He was supposed to pass a message, and he's performed his task very well.

PLOT

The movie starts with a humanoid alien in a primordial planet (Earth?) drinking some DNA-changing black goo, which makes himself explode and create life in the oceans from strands of his chromosomes.

Fast forward to 2089. Some archeologists, including a Christian named Liz Shaw find several ancient paintings depicting a particular star system.

Peter Weyland, trillionaire CEO of the largest company on Earth, decides to send a spaceship to a planet on that star system, looking for the alien gods that visited Earth long ago.

Once there, the astronauts find a star-ship loaded with jars of the black goo and several dead giant human-looking aliens, the Engineers. It is revealed that the Engineers were on a journey to destroy Earth with the goo weapon, when something bad happened 2000 years ago that prevented the mission. Somehow, the evil serpent-like aliens grew from the goo and killed the humanoid aliens.

The astronauts wake up the last sleeping Engineer, who in turn, in an attempt to resume his mission, kills everybody with the exception of Liz, only to die later at the tentacles of a monster alien from the Aliens franchise.

Liz, with the help of David, an android built by Weyland, take control of another abandoned alien spaceship and instead of coming back to Earth to warn people, decide to go to the alien-gods planet in order to convince them not to exterminate humankind.

The movie touches many complex issues, but two subjects are the most important:

TRANSHUMANISM

Weyland is a super genius, the richest man on Earth who probably would be presiding the Bilderberg meetings, knighted by the Queen and offered the Rothschild's daughters as brides. There is an interesting TED speech done for the promotion of the movie, where a young Weyland says that we are now gods because we can create cybernetic life, like the man-like robot David.

This is a very common theme in all Illuminati-driven movies and music: cyborgs, nanotechnology medical bots, all kinds of improvements on the "imperfect" body that God gave us, especially reserved for those few who can afford it.

However, fast forwarding some 50 years to the time of the movie, we see that even with his science, Weyland is dying.

Cybernetics can only go so far, and if man wants to live forever, he needs to evolve his DNA. The Engineers were the ones who created humankind, so Weyland thinks that they are the key for the continuation of our evolution, our next "jump".

However, he is arrogant in his demand for eternal life and the Engineer kills him instead. One can't approach a god this way.

The first message is this: humankind can only take the next step in evolution when it complies with (worships) the Engineers' plans and intentions.

OCCULT

Prometheus relies heavily on the works of Erich Von Daniken, the author of The Chariots of Gods and other works that affirmed that aliens created men. It also defends the views of people like Zachariah Stichin, who say that Sumerian gods from outer space, the Anunnaki, created men.

In their worldview, there is no space for the Christian God, judged to be a human fable. Obviously, in their perspective, these Engineers would return some day to help us save humans from ourselves.

Two particular scenes show the anti-Christian character of the movie. First, Jesus is depicted as an alien, who was sent to observe us but was instead killed.

That's why the punishing mission was started 2000 years ago. Ridley Scott confirmed this in interviews. Later, at the end of the movie, Liz, the Christian, takes back her crucifix necklace and is said to have had her faith returned.

In fact, she changed her faith, from a Jesus who is God, to a Jesus who is an alien. That's why she heads to the Engineer's planet, to meet this new Jesus.

So there we have it. Our real gods are aliens, and we need to drop our old religion and start worshiping them. Those who are worthy will receive a DNA boost that will make them become gods as they already are. This is the gift of Prometheus, the god who brought fire to humankind in a self-sacrificing manner.

We can't forget that other partners in this movie are also involved with Illuminati themes. James Cameron is the director of Avatar, The Abyss and Dark Angel, and is an insider activist for the new world order.

H. R. Giger, left, the creator of the alien monster, is a self-professed Satanist, and his works, such as the Necronomicon, are blasphemous and pornographic. According to author Bill Schnoebelen, Giger is a member of the Swiss branch of Aleister Crowley's OTO, a Satanic organization. This did not stop Scott from saying that meeting Giger was the best thing that ever happened in his life. We just wonder what Giger taught Scott.



WHAT THE ILLUMINATI ISN'T SAYING

We are living in the times of occultist Alice Bailey's Externalization of the Hierarchy, a time when the satanic plan for humankind would not be the property of a few initiates, but would be promoted openly. However, the poison inside the plan will never be advertised.

The aliens who have been contacting the occultists don't come in material form; they don't land a ship in their backyards. They come as spirits, as demonic entities who possess mediums in order for them to write their books. The orbs we see in Youtube are not solid UFOs; they are apparitions. It is a spiritual phenomenon.

Another thing they won't say is that only a few elect will be chosen to participate and lead the New World Order. Not everybody will merit the enhancements. In fact, most of humankind is useless and will have to be disposed of, especially if they don't agree to serve the masters.

According to the Bible, aliens already visited the planet and messed with our DNA (Genesis 6:1-4). They were fallen angels who had intercourse with women and generated hybrids called Nephilim. These turned out to be utterly evil creatures who had to be exterminated by God in the Flood in order to protect human genetic purity, and the eventual birth of Christ.

Some Christian authors like Douglas Hamp and L. A. Marzulli believe that Satan will eventually deal the same trick in the end times, with the goal of polluting humankind's genoma, perhaps with some kind of DNA tampering substance linked with the mark of the Beast (a beast is not a pure man).

If we think that Jesus Himself said that the time of His coming would be like the times of Noah, when Nephilim roamed the earth, we should listen to what they have to say.

Also in the Bible we read about a coming Great Delusion, some kind of lying trick so huge that only God's hand can protect people from believing in it. The number of Illuminati sponsored movies such as Knowing, with the elite's darling Nicholas Cage, and Mission to Mars, along with the huge media attention to UFOs suggest that some alien contact is on its way.

These guys, who are really demonic beings in disguise, will require that we throw away all old religion and embrace them, and the man of their choosing, the anti Christ, as savior.

CONCLUSION

There is a great chance that the Satanic elite is programing us to accept some kind of genetic tampering with the promise of a quick evolution progress, freedom from disease or paranormal powers.

They will say this is a gift from the aliens who created our DNA in the first place. Perhaps these aliens will be there to vouch for this claim. Remember that the Bible says that there are aliens; they are called holy and also fallen angels.

The tampering with the genome is obviously in disobedience to God's command to not harm the body, which is the Temple of the Holy Spirit, which should be used it to honor God (1 Cor 6:19-20). We already see a growing trend in piercings, tattoos, scarring and horrible mutilations today, which contradict this command.

An injection of mutating DNA is only the next step. Maybe that is why those who receive the mark of the Beast can't be redeemed anymore, because they cease to be fully human.

Prometheus is a movie where there are simply too many Illuminati signals to ignore, or dismiss as coincidence. It is a message of what is coming our way.

They want us to think that Prometheus (Lucifer) is a benevolent, self sacrificing god who is giving us the light. In truth, we should regard Prometheus as a drug dealer who gives us the gift of crack cocaine. Caveat emptor.

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For another take-- Aspen: "Prometheus, Another Illuminati Home Movie"

"Prometheus" - A Lesson in Illuminati Religion - henrymakow.com